Jul 21 2010

#129 – Biff! Pow! Sock!

Biff! Pow! Sock!Saw this photo of a couple of friends of mine and couldn’t resist it.   Not to worry, this fight is only about as serious as an Adam West/Cesar Romero matchup.

[Comments and critique always welcome]


Jul 19 2010

#127 – Need input

Rover eyesThis time, no redacted image!  Today at work, I was doing storyboards again for this future Mars mission — and here’s a frame I can actually show.  This is a made-up closeup of the rover’s main cameras, which sit on top of a rotating mast.  (In the real world, it would look something like this.)  What I’m trying to do in these storyboards is to give a little bit of personality to this robot.  And hey, if you’re gonna do that, why not borrow from one of the classics?

[Comments and critique always welcome]


Jul 13 2010

#121 – Oops, I Did It Again.

Another redacted roverI’ve been sketching a lot of these storyboard illustrations at work, and so I figured I could just use one of them for the daily post.  Unfortunately, I realized that the rover pictured here is also based on some drawings that may or may not be public.  I did several of these today, but nothing else, so a redacted version will have to do.

P.S. Sorry to “play with your heart,” get “lost in the game,” etc.

[Comments and critique always welcome]


Jul 11 2010

#119 – Music, Markstro, Please!

Apple headphones

Got a sneak preview tonight of another upcoming creativity project — one that required me to break these out.  I like what I’m hearing, and hopefully before long you’ll see it appearing in the list of links on the right…

[Comments and critique always welcome]


Jul 9 2010

#117 – Martian invaders

Storyboard composite

That is to say, invaders of Mars, not invaders from Mars.  I’m starting to do some preliminary storyboard sketches at work for a new animation of a future series of proposed Mars missions.  These first few are based on some existing work, but I’m going to have to start inventing stuff soon.  Also, these early frames probably don’t make a lot of sense to the outside viewer, but some of the ones to come might.

[Comments and critique always welcome]


Jul 6 2010

#114 – Get that man a tissue.

Deep in thoughtStopped in at another figure drawing workshop.  This guy was striking a sort of contemplative pose, which ended up looking a bit like blowing his nose into his hands…

[Comments and critique always welcome]


Jul 3 2010

#111 – Alliteration & onomatopoeia

Flip flopAs long as we’re here, I’m sticking with the Hawaiian vacation theme.


Jul 2 2010

#110 – The good life

HammockI figured I would want another good memento sketch from this week, and nothing says idyllic, laid-back vacation like relaxing in a hammock.  Seriously, as soon as I own two trees within ten feet of each other, I’m putting up one of these things.

[Comments and critique always welcome]


Jun 23 2010

#101 – Analog cursor

Analog cursorTomorrow at work I need to do an illustration of a hand that will be used in a demo video for a touchscreen application.  This was just a quick sketch to serve as a reference for the digital version.  Then again, maybe my giant hands aren’t the best models for this — might have to recruit someone else tomorrow.  Someone whose hand will fit on a sketchbook page.

[Comments and critique always welcome]


Jun 21 2010

#99 – Leather and fur

Football and squirrel sketchesThis is an expansion of yesterday’s sketch, prepping for the same digital illustration perspective assignment.  I like the angle, but I was thinking of making it more visually interesting by putting it in that leather-helmets era of 1920s-ish college football.  Could make for a good color palette and design aesthetic in the final piece.  Also, I like the idea of having an unexpectedly female quarterback who’s about to make the big, game-winning play.  I forgot to fix the proportions before doing this fleshed-out version, but I figured that could be fixed later in Illustrator.

Then I realized something: there’s no actual action taking place here.  There’s anticipation of action, but that’s it.  So the inset sketch is a new idea that would integrate action directly between the foreground and background elements.  Of course, it also trades female empowerment for imminent demise of small, furry creatures.  Hope that doesn’t reveal something about the artist…

[Comments and critique always welcome]